‘An Honest Woman’ by Ottessa Moshfegh

Ottessa Moshfegh is a genius. She’s talented, outspoken and interested in portraying lives that make other people feel uncomfortable. I enjoy watching the reactions to her work as much as I enjoy reading the work itself.

In ‘An Honest Woman’, Jeb sets up his nephew with the unnamed young woman who lives next door. His opinions of women are pretty grim: “You know women. Stray cats, all of them, either purring in your lap or pissing in your shoes.” Doesn’t stop him trying to take what he fancies though.

In Homesick for Another World. First published in The New Yorker and available to read here

‘Open Marriage’ by Roxane Gay

Generally I prefer Roxane Gay’s non-fiction work but there are some absolute corkers in her short story collection Difficult Women. ‘Open Marriage’ is one of the shortest pieces. The premise is simple; a husband suggests to his wife that they have an open marriage. They discuss the idea while she eats an out-of-date yoghurt. The final two lines are killer.

From Difficult Women. Available to read here

‘Love in a Changing Environment’ by Janice Galloway

from Blood.

When I was studying for my A Levels (1994-6), Channel 4 broadcast a three-part series on three contemporary Scottish writers: James Kelman, Irvine Welsh and Janice Galloway. I recorded the late-night program and watched it the following day. I knew who Welsh was, Trainspotting had not long since been published, but it was the other two writers who were to have the bigger impact on me.

It’s the setting that stood out to me in ‘Love in a Changing Environment’; the couple in the story move into a flat above a bakery. Their relationship plays out to the smell of crumpets, cobs and Danish pastries. That is until the bakers leave and the butcher moves in.

‘Alight at the Next’ by Eley Williams

I first came across Eley Williams when her short story ‘Smote, or When I Find I Cannot Kiss You in Front of a Print by Bridget Riley’ was shortlisted for The White Review Short Story Prize in 2015. It was Williams’ second shortlisting in two years. Yes, she is that good.

‘Alight at the Next’ is my favourite story in her debut collection. The narrator stands inside a tube carriage. The train is in the station and the doors are open. As the narrator hesitates, contemplating asking their companion to come home with them, a man tries to step up into the carriage. The narrator halts him by placing a finger in the middle of his forehead. The whole story then takes place with the characters in this position. Williams perfectly balances desire, fear, humour and word play.

From Attrib. & Other Stories. First published in 3:AM Magazine and available to read here

‘The Company of Wolves’ by Angela Carter

Is a feminist list of short stories even a feminist list of short stories without the inclusion of Angela Carter?

I was late to Carter. I didn’t study her at school, I didn’t study her at university. A friend who read her for A Level recommended Wise Children to me. I read it not having a bloody clue what was going on. In 2010, I had to teach The Bloody Chamber to my own A Level students. It was a revelation.

In ‘The Company of Wolves’ Carter revisits Little Red Riding Hood. All the men/wolves are abusive in some way, Little Red Riding Hood has to work out how to survive in a patriarchal society. It’s not pleasant but it’s effective.

From The Bloody Chamber

‘The Husband Stitch’ by Carmen Maria Machado

This is the story on the list that I’ve read most recently. The narrator (unnamed, of course) meets her husband-to-be, has lots of sex, marries, bears a son, raises a child. She’s a storyteller but no one believes her stories (by no one I mean the men in her life, of course). All women in this world have a ribbon attached somewhere on their body. The narrator’s is green and on her neck. Her husband is fascinated by it but she won’t allow him to touch it. You know where this has to end but the journey there is entrancing.

From Her Body & Other Parties. First published in Granta and available to read here

‘Absolutely’ by Leesa Cross-Smith

When I first started compiling the ‘In the Media’ round-up posts on my blog, I used to include fiction pieces. This is how I discovered Leesa Cross-Smith’s work. I’m amazed more people aren’t aware of her, she’s prolific as both a fiction and non-fiction writer. She writes sentences that I read and repeat to myself, hold in my mouth while I feel the shape of the words. She also comes blurbed by Roxane Gay, yes THE Roxane Gay.

‘Absolutely’ is a flash piece about a woman and her lover(s). It contains two of my favourite sentences in Cross-Smith’s debut collection; I’ll leave you to decide which sentences they are.

From Every Kiss a War. First published in Sundog Lit and available to read here

‘When I Die, This Is How I Want It To Be’ by Anneliese Mackintosh

Most of the writers I’ve come across in the last five years I seem to have found, in one way or another, via Twitter. I think Anneliese Mackintosh was one of the first. I went to see her at a spoken word night around the time her debut collection was published. Her performance – and it was a performance – was captivating. Any Other Mouth is semi-autobiographical and it’s clear that Mackintosh isn’t afraid to bleed onto the page.

‘When I Die, This Is How I Want It To Be’ provides instructions for the protagonist’s funeral. It sounds fantastic and terrible and it had me at the wake happening to a soundtrack of the “Top 25 ‘most played’ list on my iTunes”.

From Any Other Mouth. Available to read here or you can listen to Anneliese Mackintosh read it here

‘Dead Doormen’ by Helen Ellis

American Housewife was one of those books which arrived with a big fanfare. For a brief period of time, it seemed to be everywhere and then it never quite filled its promise. A huge shame because this is a sterling collection of stories. Ellis is sassy, hilarious and very dark.

‘Dead Doormen’ is about an unnamed (of course) wife who keeps house, in this case an apartment in the city, while her husband works. She spends her day hanging out with the doormen and making plans.

From American Housewife. Available to read here

‘Mrs Fox’ by Sarah Hall

Sarah Hall is my favourite writer. Her novel The Electric Michelangelo is my favourite book. I have no time for the ‘but how can you choose?’ brigade. Simple: Hall’s work changed my view of the world. It took me to Coney Island; it inspired my PhD thesis; it speaks to me about my life. I am evangelical about her work.

‘Mrs Fox’ tells the story of a woman who transforms into a fox while her husband attempts to adjust his life around her. Read that sentence again, it’s radical.

From Madame Zero. Winner of the BBC National Short Story Award 2013

‘At the Bay’ by Katherine Mansfield

I first read Katherine Mansfield as a child. I still have my dad’s copy of In a German Pension sitting on my desk, but my favourite, rather unwieldy story has become ‘At the Bay’, It forms a kind of trilogy with ‘Prelude’ and ‘The Doll’s House’. Time moves strangely here, expanding wherever Mansfield chooses to breathe into it. There’s a sense of a world enchanted, filled with creatures of portent and potential. Visually the whole thing is preoccupied with what we can’t see and what hasn’t yet appeared and the narrator is at no pains to explain — the unknowing is part of the magic. I also love this story for its children. Little Lottie’s inability to pronounce the word ‘emerald’ became the title for my story ‘Nemeral’.

First published in the London Mercury, 1922. Widely collected and anthologised. Read Online

‘House Taken Over’ by Julio Cortázar, translated by Paul Blackburn

There’s a kind of tenderness and intensity that I crave in short stories and ‘House Taken Over’ has it in spades. It’s a little dark and quite surreal: a house is slowly occupied by an unnamed force while its inhabitants strive to keep a hold of their kitchen. The last two sentences are an unexpected love note to humankind and another clear message is that in times of crisis one could do worse than getting on with one’s knitting.

This translation was first published in Blow-up and Other Stories, New York: Pantheon Books, 1963. Read Online)

‘The Metamorphosis’ by Franz Kafka, translated by Susan Bernofsky

This is perhaps stretching the bounds of what counts as a short story, but I have such a clear memory of reading ‘The Metamorphosis’ as a teen. How, I asked myself, did this hundred-year-old salesman know so much about how it felt to be a fourteen-year-old girl? I reread it at least once a year, and have a quiet obsession with Gregor’s sister Grete, who is at the heart of a new book I’ve just started to write. My favourite translation is one of the newest, by Susan Bernofsky, recent winner of the Warwick Prize for Women in Translation.

‘Die Verwandlung’ was first published in Die Weißen Blätter, 1915.

‘Figures in the Distance’ by Jamaica Kincaid

This story navigates a child’s early encounters with death. Aspects of her life find sharp and bright relief as she entertains a humorous and deeply creative kind of curiosity about the end, and everyday occurrences take on a sinister mystique: ‘One person had known very well a neighbor who had gone swimming after eating a big lunch at a picnic and drowned. Someone had a cousin who in the middle of something one day just fell down dead. Someone knew a boy who had died after eating some poisonous berries. “Fancy that,” we said to each other.’

First published in The New Yorker, 1983. Subsequently included as part of the novel Annie John (Vintage)