In ‘Superfrog Saves Tokyo’, Katagiri, assistant manager at the Tokyo Security Trust Bank, is summoned underground by a six-foot frog. Superfrog is in mortal combat with a giant worm, which threatens to cause an earthquake that will destroy Tokyo, and now requires the unwilling Katagiri’s assistance. This collection is centred on the 1995 Kobe earthquake and the story contains classic Murakami themes: katabasis (a journey to the underworld), urban loneliness, and the imagination as a battlefield where we experience victory and defeat. If you’re interested in translated fiction, do also watch the delightful documentary, Dreaming Murakami, in which Superfrog makes a cameo appearance.
First published in GQ in 2001, and available to read here; collected in after the quake, 2002, Harvill Press
It was literally impossible to pick one short story from Murakami Haruki. I thought about picking just 12 from him alone. Thinking about it, I should’ve picked ‘Silence’. But I didn’t. Whoops.
First published in Japanese 1986. Included in The Elephant Vanishes, Vintage 2003. Available to read online here
Cryptic, elliptical, with unanticipatable details such as the girl who mimes peeling a tangerine. (There is a separate anthology to be compiled on works using tangerines.) Unlike the swollen folly of Murakami’s later works, this is a breathy, beautiful and mysterious tale, exemplifying in some ways the Japanese philosophy of wabi sabi. A masterful performance, doing what every story should – keep you turning the pages, wondering what happens next.
First published in The New Yorker, October 1992. Collected in The Elephant Vanishes, Vintage, 1994. Adapted for a 2018 South Korean movie, Burning. Read the story online here