‘I often asked myself what kind of humanity was massed behind their symbol, and have regretted that none has told his story’
If stories are a vehicle for human connection and compassion, then few can be as important as Levi’s scenes presenting his time in Auschwitz. This moving series of vignettes and character studies, plainly and quietly told, infused with humour and humanity, often depict turning points where life could have changed. In ‘The Juggler’, former street thief and acrobat Eddy catches Levi with paper and pencil, risking his life to write a letter home. Eddy’s shrewd quick-thinking, along with his capacity to move on from Levi’s offence, saves the author’s life; although he receives a less positive ending himself. Levi’s succinctly rich illustrations of the tenacity of the human spirit provide compelling evidence for Frankl’s logotherapy theories and the human search for meaning.
In Moments of Reprieve (Penguin, 1986)
When I think of Primo Levi, I think of the title of Myriam Anissimov ‘s Levi biography: Tragedy of an Optimist. Levi was a young Jewish chemist from Turin when he was deported to Auschwitz; his incredible survival and long return journey home to Italy are documented in works such as If The is A Man and The Drowned and the Saved. His death in 1987 as a result of a fall from the staircase in the apartment building where he was born and continued to live has long been debated as suicide or accident. But Levi was not only a witness and documenter of the Holocaust; his writing was also intellectually and playfully curious, quixotic and strangely comforting, as his stories prove. As with his masterpiece The Periodic Table, Levi combines complex scientific fact with lyrical language to lovely effect, as in the mysterious, allegorical yet highly rigorous ‘A Tranquil Star’.
(From A Tranquil Star and Other Stories. Penguin Classics, 2007. Translated from Italian by Ann Goldstein)