In 2020, in the tributes for her award as 37th SFWA Damon Knight Grand Master (it’s a big deal), writer Curtis C. Chen noted how powerful Hopkinson’s visions were for him: the reality of modern Toronto now completely replaced in his mind with her magical realist cityscape. One great example of how that’s done for me is this small but mighty piece, set on a cold winter’s morning. A kind of militarised municipal park workforce has the unfortunate job of going to wrestle down the city’s last panicked trees which are trying to fly away to freedom. The frustrated worker hanging on to the roots as one tree soars away – as if clutching to the rope of an escaping balloon – is just perfect.
Collected in Falling in Love with Hominids, Tachyon, 2015. Also collected in Skinfolk, Open Road, 2001. Originally published in Dark Planet Webzine, 2000