“In front of the mirror, the hyena was admiring herself in Mary’s face. She had nibbled very neatly all around the face so that what was left was exactly what was needed.‘You’ve certainly done that very well,’ I said.”
Decades before any of us had seen a Yorgos Lanthimos film, Leonora Carrington used surreal horror to play social etiquette for deadpan laughs in ‘The Debutante’, a story in which the threat of boredom leads a young girl to enlist the services of a hyena. I can imagine that, today, an editor or workshopper might draw a red line through one or both instances of ‘very’ in the passage quoted above. They are important. Carrington’s debutante avoids the ridiculousness of polite society only by re-enacting it with a hyena. It is crucial, too, that the animal is a hyena – no other beast is so abject, so liminal. Sometimes, I dream of a hyena wearing the flattened, eyeless face-flesh of a maid, nibbled off very neatly.
First published in Anthology of Black Humor, ed. André Breton, Editions du Sagittaire 1940, collected in The Debutante and Other Stories, Silver Press 2017 and The Complete Stories of Leonora Carrington, Dorothy, 2017