I love Link’s longer short stories, which allow her unique storyworlds to develop. These worlds veer from our own at a tangent, guided by a singular dream-logic, and are perplexing and fascinating as our own dreams. In the title story, Jeremy, along with his high school cohort, is fannishly obsessed with a TV show called The Library, which appears at irregular intervals on formerly defunct TV channels. Jeremy’s parents are separating and he’s having a terrible time when Fox, a character in The Library who may or may not have been killed off, crosses from the show into his everyday existence. ‘Magic For Beginners’ is as metafictional as television can be and entirely as addictive.
First published in The Magazine of Fantasy and Science Fiction in 2005 and available to read here. Subsequently collected in Link’s collection Magic for Beginners, Small Beer Press, 2005
Kelly Link’s ‘The Summer People’ shares a title with a Shirley Jackson short story and is as unsettling and cautionary as its namesake. In true Kelly Link fashion, however, the story adds adolescent girls, a terrible pact, moonshine and fairies to Jackson’s cocktail of class critique and horror.
Fran, our teen protagonist, lives with her father, who sells moonshine and does odd jobs for visitors whose holiday houses dot their scenic town in the Appalachian foothills. The story opens with Fran desperately sick from flu, doped up on cough medication and abandoned by her father who’s gone in search of Jesus. Ophelia Merck, a rich girl at school, comes to the rescue. Fairy-tale pretty with her “silvery blond” hair and queer, Ophelia’s family are erstwhile summer visitors who have moved to the town permanently, possibly due to the Merck father’s involvement in a malpractice suit.
These echoes of teen addiction and the opioid crisis take second place to the girls’ hallucinatory visits to a mysterious old house, set between apple trees, “one laden with fruit and the other bare and silver black”. This is the home of the sinister ‘summer people’ to whom Fran (and her mother before her) are bound. They give Fran, who can’t risk the emergency room, a cure for her flu in a tiny glass vial. In the past she’s been gifted other things – tiny, magical toys – but these particular ‘summer people’ are exacting taskmasters. Once in their thrall, it’s impossible to escape.
That is, until Ophelia steps into Fran’s life and offers her help. “I can tell you mean it,” Fran tells the naïve Ophelia and later, “Did you mean it when you said you wanted to help?” Fran gains her heart’s desire to escape town, but at a price. Much to reflect on in this pandemic, when disparities between the rich and poor, those who escape to summer homes and those who toil, have been made starkly apparent.
Chosen by Gita Ralleigh. Gita is a doctor and poet who teaches creative writing to science undergraduates. Her debut poetry collection ‘A Terrible Thing’ was published by Bad Betty Press in 2020.
First published in Tin House, Fall 2011. Collected in Get in Trouble, 2015, Random House/Canongate. Also available as a Kindle single from Canongate, 2015
The Library is the best TV show ever. I feel like I’ve been watching it for years, ever since I first came across this labyrinthine story within a story. The Library could appear on any channel at any time, with its rotating band of actors who take turns to play the characters. In The Free People’s World-Tree Library, librarians battle forbidden books and pirate magicians. There is an Angela Carter Memorial Park on the seventeenth floor and an enchanted underground sea on the third floor. We join a group of obsessive teenage fans who watch out for and dissect each new episode of a programme which has “no regular schedule, no credits, and sometimes not even dialogue. One episode of the library takes place inside the top drawer of a card catalogue, in pitch dark, and it’s all in Morse code with subtitles. Nothing else.” It doesn’t need anything else. It will always be the best TV show ever whether it exists or not.
First published in Magic for Beginners, Small Beer Press, 2005/Harper Perennial 2009. Also available in Pretty Monsters, Viking 2008/Canongate 2009. Available to read online here