This astonishing story, set around the time of the Mexican revolution, is one that keeps coming to mind while driving around the peaceful country roads and village markets near our home in Thailand. Porter’s sensuous descriptions are uniquely memorable for the way they evoke landscapes and the characters situated in them. Maria Concepción is a stunning character, a powerful woman trying to adhere to the rules of her village society while longing for a child. Discovering her husband’s infidelity, she murders his mistress and appropriates her infant. Her actions are condoned by the community, which seems to survive only at great cost to individual women. Thanks to the enormous skill of the writer, the conflicts inherent in the patriarchal and colonial setting are not shrill and strident but woven intricately into the fabric of the story, which has the overall impression of a light-filled fresco. In an interview, Porter said that she took no more than an evening to pen a short story, with little further revision. Her extraordinary artistry is evident in this piece.
What is this whiteness and silence but the absence of pain?
Although Porter tells us the bells are ringing to announce the end of the war, ‘Pale Horse, Pale Rider’ is far from celebratory. We infer much of the story through the fevered dream fragments of a young woman suffering with Spanish influenza. It is a story constructed of symbols, metaphors, and the repeated refrain of an old spiritual once heard sung in the oil fields of Texas. It’s about the peace of death and the violence of living, and an undefined hope for the future. Since this year marks the centenary of the end of the First World War, and because this story is one of the most finely wrought pieces of writing to come out of those last hundred years, it feels like the perfect story for this anthology.
A fever dream narrated through the altered consciousness of a young woman suffering through the Spanish influenza epidemic of 1918. Some of the most value-added, special sentences I have ever read anywhere. ‘Pale Horse, Pale Rider’ is also the title story of a book-length three-story sequence that is probably Porter’s best work, alongside her shorter story ‘The Jilting of Granny Weatherall,’ which pursues a not-dissimilar narrative strategy.
from Pale Horse, Pale Rider, Harcourt Brace, 1939; also Penguin Modern Classics, 2011