‘Pale Horse, Pale Rider’ by Katherine Anne Porter

What is this whiteness and silence but the absence of pain?

‘Pale Horse, Pale Rider’ was originally the final part of a triptych of longer tales alongside ‘Old Mortality’ and ‘Noon Wine’, and I’d encourage anyone to read all three. Porter, with the lightest of touches, infuses the works with a too-real (almost surreal) sense of time passing—past, present, future; morning, noon, night; the turning of the earth, and the ever-present spectre of the Great War—the war to end all wars.

Although Porter tells us the bells are ringing to announce the end of the war, ‘Pale Horse, Pale Rider’ is far from celebratory. We infer much of the story through the fevered dream fragments of a young woman suffering with Spanish influenza. It is a story constructed of symbols, metaphors, and the repeated refrain of an old spiritual once heard sung in the oil fields of Texas. It’s about the peace of death and the violence of living, and an undefined hope for the future. Since this year marks the centenary of the end of the First World War, and because this story is one of the most finely wrought pieces of writing to come out of those last hundred years, it feels like the perfect story for this anthology.

First published in 1937; also in Pale Horse, Pale Rider: Selected Short Stories, Penguin Modern Classics, 2011)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s