I’ve lately been doing some research into the poet, editor and biographer, Ian Hamilton, for which purpose I’ve been spending a lot of time with his magazine, the New Review. Though it lasted only four years (1974–8) and fifty issues, no single publication, as far as I’m concerned, has had more of an influence on British literary culture over the past half century. Some of that is down to what it published – the many stories, essays, poems that have gone on to achieve canonical status; just as much is to do with its creation of what Ian McEwan has called “a milieu”. From its second home in the Pillars of Hercules pub on Soho’s Greek Street (the New Review’s actual offices were next door), the magazine became an intellectual meeting point for writers at all stages of their career, but crucially for the young, among them Julian Barnes, Jim Crace, Andrew Motion, Martin Amis, Christopher Hitchens, Craig Raine, Christopher Reid, Blake Morrison and McEwan himself. Our bookshelves might look very different had these great writers not found the early encouragement and camaraderie they did here.
Immersed as I currently am in this milieu, I have decided to make my personal anthology a selection of twelve stories that appeared in the New Review. Since I love a great many more than just twelve, I have tried to be as representative as I can with my choices; to select a roughly equal number from each year of the magazine’s publication, and to mix the widely anthologised with the relatively obscure. Without being able to mention any of the poetry, criticism, reportage, interviews or editorials it published, I cannot show all that the New Review has done for our literary culture; but I can at least make a case for its enormous contribution to fiction.