‘The Astral Plane’ by Mary Costello

“She had never met this other man, or heard his voice, and she had tried not to love him.”

This exquisite story by Irish author Mary Costello explores the loss of faith in marriage and the temptation to stray. On holiday in Co. Clare, a woman spends time with her husband while plagued by thoughts of another man.

Known only as E, the man lives in New York yet recently visited Dublin. While attending an author reading, he found a novel with the woman’s email address inside the back cover. A prolonged correspondence begins between E and A: “He sent her quotations, lines from songs; he sent her poems. Did he not know the effect such words, such lines, such poems might have on a woman?”

Described as “an affair of the mind”, their correspondence feels somehow more shameful than a sexual liaison, testing the woman’s religion as well as her marriage. I fell in love with this story from the first reading and always enjoy returning to it. Costello plumbs the depths of romantic relationships, the virtues of commitment and the meaning of happiness. The story is also very funny, its humour delivered with an elegant touch.

Recalling Elizabeth Taylor’s tragicomic classic ‘The Letter Writers’ (which I recommended in A Personal Anthology’s collaborative summer special), ‘The Astral Plane’ weaves together embodied scenes with epistolary fragments. Both stories dramatise the space between life and writing, highlighting the joys and the limits of literature.

First published in The China Factory by Stinging Fly Press, 2012. Collected in The China Factory, Canongate, 2015

‘The Sewing Room’ by Mary Costello

If you’ve read this far and I still haven’t convinced you to dip into any of the stories, then this is the one. The one that catapulted me into my obsession with the form. I love Costello’s own story almost as much as I love this one, which closes her first collection. (She has since written two novels, the most recent, The River Capture, published this autumn.) ‘The Sewing Room’ is a simple tale about a moment of passion with life-long consequences. The writing is bare and unsentimental, the emotional impact brutal and devastating. Alice opens her story at the end of an afternoon sewing ahead of an evening to mark her retirement as an Irish primary school teacher. “There had been a child,” we learn early on, our readerly hackles right to be raised at that ominous ‘had’. Costello got the idea for the story from overhearing a snippet on the fringe of a gathering about how “so-and-so’s son is a lawyer now, in Boston”. Alice is Costello’s so-and-so, the baby the Boston lawyer. Costello allows Alice only a flash of judgment about what happened, leaving the reader to feel furious on her protagonist’s behalf. Buy The China Factory to read this story and you’ll be rewarded with the rest of the collection, which is equally luminous. 

Collected in The China Factory, The Stinging Fly Press, 2012