‘The Moment of Eclipse’ by Brian Aldiss

Sometimes books walk into your life. One a day a friend knocked on the door with a cardboard box. “My teacher colleague’s leaving England, he’s going to Saudi Arabia to teach princes,” she tells me. “The princes aren’t bothered about English, all they care about is their falcons – each one has to have its own seat on the plane. Anyway, he can’t take these, so help yourself.” I open the box, not small, and it’s crammed with science fiction books. “Thanks, I will!” Plenty of space opera, which I’ve never had time to read, but other jewels were in there. My diamond – and again it was the cover which first drew my eye – was, still is, Best SF Stories of Brian Aldiss. Published by Faber from the days when they were still committed to putting out science fiction. (In Charles Monteith, Brian Aldiss had found his dream editor, to whom he gives fulsome praise at the beginning of this volume).
 
There are so many good stories here. ‘The Moment of Eclipse’ is a dazzler. Aldiss throws so many elements into the narrative that you don’t believe he’ll possibly be able to pull it off. How’s he going to develop and resolve them all? In a novel, maybe. In a short story, no chance. Yet he does, and with style. In his Introduction (dated July 1970) Aldiss speaks of writing from “an ill-defined place within which one is aware of a mystery”, or of those occasional stories which open “gates in the mind”. Into this narrow category which might crudely be labelled ‘total success’ he places only this story, ‘The Moment of Eclipse’, and ‘Old Hundredth’. The sly hint is that something effortless has happened, that those obstacles which ordinarily inhibit or stultify creativity came down and, so, the story rushed in fully formed, a tidal wave over a breached seawall. It’s a nice fairy tale – if I understand the hint, which I may not have – but I don’t buy it. I think he must have had to work his arse off to make ‘The Moment of Eclipse’ such a triumph. And perhaps it is very very slightly rushed towards the end. But that would be to pick the most unreasonable of holes. Better by far to immerse yourself and feel the heft. Taking apart a story as complex as this may not be a great idea, in case it doesn’t go back together again afterwards.

First published in The Moment of Eclipse, Faber, 1970, and collected in Best SF Stories of Brian W. Aldiss, Faber, 1971 and The Complete Short Stories: The 1960s (Part 4), Harper Voyager, 2015

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s