It’s a bit mindblowing. And also sensitive to time. If I was asked to do this 2 years ago or 3 years in the future some of these picks might change. But I suppose my requirement as a reader wouldn’t. I want to see the spine of a story. Orwell’s view: transparent prose, like a window pane. I like to move in and out of a text. I don’t like to fight to find something. More and more I’m drawn to a piece that might have a social significance – something about sexuality or gender, something about heritage, something that moves me, that hurts me, or thrills me. For this Personal Anthology, I chose all female contributors – including trans female. I chose queer texts, a metatext and a children’s story. I chose 1 song and 1 play. I chose 2 longer texts – that maybe fall into the category of novella. It’s just a way to process the world of words – long, short, shorter. I’m interested in form and because I’ve written for many mediums so I didn’t want to limit myself. I’ve been teaching in universities for over 10 years and I taught Creative Writing in prisons for 5 years. Often it feels as if story lists and set texts are predominately bio male, white, heterosexual. This is a little re-dress.

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