Choosing a single Lorrie Moore story is a problem. Choosing a single Lorrie Moore sentence is a problem. Take out all of her descriptions, for example, in this masterpiece (it’s a masterpiece), of blank facial expressions, assemble them into a short paragraph, and it’s still one of the best stories you’ve read. ‘Blank as a vandalised clock.’ I imagine the title sort of answers itself: this is how.
Available online here. Collected in Self-Help, Knopf, 1985, now also Faber Modern Classics, 2015, and Collected Stories, Knopf/Faber, 2008