In the mid-to-late 1980s, the publisher Semiotext(e) was publishing punky editions of critical theorists and philosophers such as Jean Baudrillard and Paul Virilio. These ‘Foreign Agents’ paperbacks were pocket-sized, with black and neon covers, and you’d be more likely to find them reviewed in the books sections of the style press than the broadsheets. In 1989 Semiotext(e) published an anthology of science fiction short stories, and I was working as a bookseller in Foyles on Charing Cross Road, so ordered a copy. Of all the stories in Semiotext(e) SF, ‘Jane Fonda’s Augmentation Mammoplasty’ by JG Ballard is perhaps the most radical, and is striking for the insight it offers into Ballard’s process, the starkness of the transaction, and – unfortunately – the slightly predictable default sexism of its gender politics. A scientific account of a surgical procedure is augmented by Ballard’s substitution of the name ‘Jane Fonda’ for whatever anonymized subject designation (‘Patient X’?) had been used in the original of what appears to be an otherwise unaltered text. That’s it. That’s all, or appears to be all this story is: a single found text, altered only by the systematic addition of the name of a Hollywood star, transforming it into a kind of minimalist star vehicle.
Collected in Semiotext(e) SF, edited by Rudy Rucker, Peter Lamborn Wilson, Robert Anton Wilson, Semiotext(e), 1989