Critical consciousness is a terrible thing for book love, and so are weekly essays. I didn’t adore many books at university but I did discover the Southern Gothics: Carson McCullers, Flannery O’Connor, and Eudora Welty, my favourite of all because of that sensual, dream-like quality I am always looking for. I ate up all her stories, and realise that I actually internalised and re-wrote ‘Livvie’, which is the story of a young girl married to an older man who leaves him on his death-bed for her lover, in my novel Meeting the English. Welty manages to make not only Livvie but her husband and lover entirely sympathetic: like Idyll,it’s a story about the life force almost more than sex.
First published 1942. Collected in Thirteen Stories (Harcourt Brace, 1977)