As is the case with so many of Munro’s stories, ‘Jakarta’ is set in the Vancouver area in the 1950s, during the height of the Korean War and the execution of the Rosenbergs. Sonje, who is described as ‘calm’ and ‘Nordic’, is married to Cottar who, at 38, is significantly older than her. Cottar teases Sonje mercilessly about her bourgeoise aspirations. Cottar is a journalist who has scandalously travelled to communist China. He believes in free love and encourages Sonje to sleep with other men, the thought of which makes Sonje unhappy and so she doesn’t follow through. Sonje and Cottar are on vacation in a rented cottage for the summer when Sonje meets and befriends a woman called Kath, who lives in the area permanently with her husband Kent. During their days on the beach, Sonje and Kath discuss the relationships in the book they are reading—DH Lawrence’s ‘The Fox’—but the subtext of their discussion is their own attitudes towards their husbands and marriages. The story explores the fault lines of marriage—the personal struggle either to adhere to conventional notions of marriage or to find alternatives to it. The argument Kath and Sonje have about DH Lawrence’s ‘The Fox’ illustrates this perfectly. Kath and Sonje can’t admit it to themselves, or each other, but they have married the wrong people. What is left so beautifully understated in the story is that, deep down, they both know it.
In The Love of a Good Woman, Vintage, 1998