I think I read somewhere that Brooke-Rose disowned the novels she wrote prior to Out (1964) on account of not having ‘read Saussure yet’ – which sounds like her, doesn’t it? Anyway, I hope she didn’t disown the short stories too – especially this queasy bit of domestic horror in which nothing much and something awful happen at the same time. It’s a bit Rear Window, this, and a bit Alain Robbe-Grillet, too.
Ali Smith described Muriel Spark as ‘blithe’ recently, and I think the word also applies to Brooke-Rose (and to Gilliatt too, in fact). Absolutely no messing about with ‘rounded’ characters and warm human hearts here.
From Go When You See The Green Man Walking, Michael Joseph, 1970