James Wood’s description of ‘The Kiss’ in his book The Nearest Thing to Life is pitch-perfect. It relates to his theory of ‘serious noticing’ and he writes of how hypervigilance can transform our relationship to time and experience. The story exists also as an instruction of how to tell a story. Ryabovich becomes obsessed with a woman who erroneously kissed him in the darkness. He did not see her, only sensed her. If someone made a film-short of ‘The Kiss’ now, I’d put my money on Richard Linklater for the role of director. Experience isn’t as faithful to time as we think. Certainly not after it’s been fed through our brain repeatedly. Ryabovich is masterful at synthesising the experience in his head, but not in his life, and this is a common theme in the stories that I admire. We can all relate to the comfort found in projected experiences rather than lived ones.
Read in Short Stories from the 19th Century, selected by David Stuart Davies, 2000 and widely collected. Can be read online here