John Berger has written that ‘Of all nineteenth-century buildings, the mainline railway station was the one in which the ancient sense of destiny was most fully re-inserted . . . in a railway station the impersonal and the intimate coexist. Destinies are played out.’ (I think Walter Benjamin has something to say about stations, too, but I can’t find the reference now – why did Benjamin have to write so bloody much? – and anyhow I’m sure you probably know it better than I do.) Here, Walsh plays with the entirely reasonable idea of taking up residence in a railway station.
In Worlds From The Word’s End, And Other Stories, 2017