When I first read this on my MA I couldn’t understand why our tutor (the poet, Michael Hulse) thought it was so good. As with all Katherine Mansfield’s stories, this is about subtle human interplay rather than dramatic events, although, in fact, ‘The Daughters of the Late Colonel’ has more plot than many of her others. It took several re-readings to realise this story’s subtle brilliance. Two unmarried sisters contemplate the past, future and immediate present in the aftermath of their domineering father’s death and almost, but don’t quite, admit to themselves and each other how much they have missed out on in life. A quietly tragic story about the stifling grip of convention and timidity but with flashes of humour. I now press this story on my own students and they generally fail to understand its brilliance.
(from The Garden Party, Penguin Modern Classics, 1977, first published 1922 or it can be read here)