I have the most ungodly crush on this story. I love its racing, bracing passage, its exuberant leaps in time and imagination, its magnificent yearning. It is a thing of extraordinary beauty, a battered love story about being alone and lost and adrift in the world even when you’re not. Most of all, at times like these – and despite/because of the grief at the story’s heart – I love its affirmative power: ‘We said Yes in all the European languages. Yes. We said yes we said yes, yes to vague but powerful things, we said yes to hope which has to be vague, we said yes to love which is always blind, we smiled and said yes without blinking.’ Not a bad way to live in 2018: don’t blink, say yes.
In Black Vodka (And Other Stories, 2013)