I’m afraid it’s true – I prefer her early work. The later stories – so spacious and surprising, technically extraordinary and self-effacing – are brilliant in their own way but it is in the first few collections, where the language is fuller and the emotion is allowed to flow more freely that Munro really does it for me. In ‘Postcard’ the narrator, Helen, has had a long affair with Clare, the scion of a grand local family. When Clare returns from Florida one summer with a wife, Helen’s mother tells her it is her own fault: ‘But once a man loses his respect for a girl, he is apt to get tired of her’. Munro seems to me very like Wolff, in that her subject has always been the complexities, surprises and essential unknowability of human character and behavior – yes, all that vague stuff! – a notion that is perhaps intrinsic to the short story form.
First published in Dance of the Happy Shades (Ryerson Press, 1968)