“The first time I ever saw Larry Batzel he was drunk outside Sardi’s in a secondhand Rolls-Royce.”
No no! you say, that isn’t right: Raymond Chandler’s 1953 The Long Goodbye starts, “The first time I laid eyes on Terry Lennox he was drunk in a Rolls-Royce Silver Wraith outside the terrace of The Dancers.”
But this isn’t the novel, it’s one of his earlier short stories that he reworked, spliced together, reconfigured into the better-known books. This one is mainly the germ of The Big Sleep, though its opening incident – the P.I. meets a damaged man who spins him a yarn – recurs in The Long Goodbye. This novel – about friendship, devotion (it’s way better than The Great Gatsby), coffee and booze – is brilliant, so it’s illuminating to see this way-stage in its creation.
Reading this Collected Stories, in a volume heavy enough that it could kill a man, is slightly disorientating, like walking through the back rooms of a cinema where films of all the Chandlers are showing on different screens at staggered times and the reels have got mixed up: the same noir images flicker, repeat, start again then veer off differently.
I like this fuzzy repetition, whether it was prompted by financial need, lack of new ideas, or, (I’d hope) a compulsion to keep telling parts of the same story again and again. Because it won’t leave you alone.
First published in Black Mask, 1936. Collected in Killer in the Rain, Houghton Mifflin / Riverside Press, 1964, and in Collected Stories, Everyman’s Library, 2002